works take advantage of plant fiber and organic materials,
but keep paper’s own substance and nature. The
material is worked up in pulp, so the usually plain
paper obtains sculptural forms and relief. Lightness
of paper and heaviness of stone transcends, when paper
becomes a mill wheel.
of "Fyns Billedkunstner
and member of "Papirmager
forbundet" since 1993
structure of plant fiber evokes interest about coding,
characters and script – basics for writing. Script
can be as track and imprints on papers, as heightened
relief or a play between light and dark strokes.
Acknowledgement about origins and basic structure of
fibers… (from process in cells micro cosmos)…
are shown as cosmic experiences, planets or globes in
works of Cosmos collection. The permanent tendency towards
transcendence can be experienced in different ways,
by using repetition and serials - the little square
in a square (that can be infinite) - or by the reappearing
symbols like wheel of life, labyrinth and circle.
Paper works get their special depth and complexion in
a special process with colors of soil. Paper dyes with
earth. A special red complexion is obtained with soil
from Sardinia (see “Madre
Yngve works in a new way with the brownish colors, where
paper dyes in a chemical disintegration process with
oxidized iron plate. There are used strong, coarse fibers
and creation takes place during destruction. While fibers
partly break down they take colors in nuances of rust.